It also has color-space conversion.įinally, for those who shoot professionally or need the ability to retouch a batch of images in a few clicks, the Studio Max version of PortraitPro 21 will save you so much time (and professionals all know time is money!) that I cannot help but recommend it. For many photographers, this will be perfect.īy upgrading to PortraitPro Studio, you get the Photoshop/Lightroom plugin that so many of you will love, as well as the ability to work with RAW, DNG, and 48-bit TIFF files. It is a standalone software that allows you to work with JPEG or 24-bit TIFF files. PortraitPro 21 Standard is great for many people. Note that there are three PortraitPro 21 versions: Standard, Studio, and Studio Max. If you’ve loved previous versions of PortraitPro, then you will love this even more – especially with the special offer for dPS readers (see below!). It is possibly the most feature-rich portrait editing software out there. In fact, PortraitPro 21 has more features that make it even easier for me to recommend.

However, it offers much more and encourages you to go back to the software and personalize your retouching.“ It is simple yet incredibly powerful, and gives you pleasing results within seconds. In my last review of PortraitPro, I said, “PortraitPro is an amazing tool for those who are new to retouching portraits. Everything was ready to deliver in under a minute.

One quick and simple export later, I had a beautiful image ready to go.Ī variety of poses didn’t fool the software. This was much quicker than when I edited the image manually. I had a finished image in less than 5 minutes. With the blemishes cloned out, I simply added a preset and tweaked it to taste.

Even though I was editing TIFF files, the software worked perfectly. I used an image with an incredibly shallow depth of field to test the feature-finding abilities, and again, I was very impressed.įor the first image I tested, I used the Clone tool to remove a couple of small blemishes. I loved the fact that little tips popped up in the bottom corner of the screen, reminding me of how to tweak things. Applying presets took a little longer than the test images, but considering I was working on 16-bit TIFF files, I was really impressed. The images opened fast, and PortraitPro 21 picked out the features flawlessly. To push the software, I used 16-bit TIFF files in the Adobe RGB color space. Even with a shallow depth of field, PortraitPro 21 picked out the face almost perfectly.

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